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Tong, Da-Nian
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  • Autobiograhy
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  • Historical Records
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    Guo, Yi-Fang
    Lei Zhang Shanbhag
    Xu, Zhi-Hai
    Jin, Zhu-Yu
    Ruan, Xing-Shan
    Xu, Cang-Yi
     
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    *  Splendid Family Heritage

    Mr.Tong, Da-Nian's achievement has deep root in his family heritage. His grandfather, Li-Cheng, was a successful candidate in the imperial examinations at provincial level, was in offices as county magistrate in couple of counties in Zhejiang province. His father, Xie-Geng, passed the imperial examinations as well, served as chief staff in different counties in Zhejiang province before he was promoted to the county magistrate of Deqing. His father spent most of his remaining years collecting ancient seals and appraising antique paintings and calligraphy, and was especially well known for his invention of Yi Zhi Tu (a tangram game). His third elder brother, Yan, was good at depicting flowers and birds, and imitating ancient seals.

    Following historical records can be found from page 844 to 846 and page 988 in "The History of Chongming County, Jiangsu Province" published by Cheng Wen Publishing Company.


    Tong, Li-Cheng, with style name Zhuo-Fu, was a successful candidate in the imperial examinations at provincial level in 1816. Because of his top-ranked credential, he was appointed as a county magistrate. His first office was at Xiangshan county, Zhejiang province. Since he took the office, he set up schools, compiled the historical and other records of the county, and tried cases impartially and perspicaciously. There was a case that someone complained missing screens of reeds, the sheriffs could find them. Magistrate Tong secretly asked his staff to purchase one screen from each screen shop in the town, and then he summoned the plaintiff to the court and asked if there was any mark on the missing screens. By examining the purchased screens, the court was able to identify the shop that was selling the stolen property, and it led to the arrest of the thief. Later Mr. Tong took the county magistrate post in Xiao-shan, he was diligent, impartial, upright and incorruptible, the county residents set up memorial temple to commemorate him when he was alive. He was then transferred to be the county magistrate of Qingtian. The county had infertile land, poor residents and heavy tax. He managed to get the approval from higher authorities to reduce the tax by 30%. The local people called him "Tong the Clear Sky", a respectful sobriquet for a clean and upright official. He died before he went to his last post as county magistrate of Wucheng. His only son was Xie-Geng.

    Xie-Geng, with style name You-Lian, was a county student who passed the imperial examinations at the county level. He was exceptionally bright, had achievement in poem and literary composition, calligraphy and painting. He was selected to be chief staff in following local government in Zhejiang province: Hangzhou, Zhuji, Fuyang, and Huangyan. Before he was about to be transferred to Changshan, he was promoted to be county magistrate of Deqing because of military merit.

    In Deqing County, there was a mob boss, Bai Er Bao, who was behind many illegal gambling activities. It was alleged that Bai was crafty and ruthless; he had quite a few gang members; he acted like an overload, and received protection from corrupted local officials. The officials from higher authorities decided to arrest Bai and to prosecute him. They sent a secret letter to Xie-Geng. A few days later, there happened to be a superior official passing through the county. Xie-Geng led his staff on a government boat to greet the official outside the county town. When the night fell, Xie-Geng suddenly ordered the boatmen to sail the boat to a desolate place along the river. After landing, Xie-Geng led entire his crew to drive directly to the suspected location of illegal gambling. Lit by the torches of Xie-Geng's crew, the mob was surprised by the sudden arrival of the officials; they scampered off like frightened rats. Xie-Geng calmly ordered his crew to arrest a couple of dealers and gamblers, and confiscated all the gambling paraphernalia and devices. However Bai was not at the scene because of other matter, he was rejoicing that he escaped unpunished before someone informed Yan, one of Xie-Geng's sons, with Bai's whereabouts. That night, Yan got over the city wall because the city gates were always closed at night as part of the curfew. At dawn, Yan brought the tied-up Bai to custody. In the morning, Xie-Geng started to interrogate Bai and found Bai was not as bad as it was said. Bai looked decent and was willing to stay away from illegal activities. Xie-Geng asked the higher authorities for the release of Bai and the request was approved. Bai became a good citizen since then.

    Xie-Geng became disobedient to some of his superior officials because of other matter; he was removed from his post as the result of retaliation. He settled down in Suzhou, and entertained himself with poems and wine. In his private ceremony, he offered sacrifices and wine to the spirits of the 72 dead including Kong, Rong and others. He also offered eulogy to each of them. It was his hobby to collect ancient seals. He became an expert in appraising antique paintings and calligraphy. He obtained over a hundred ancient bronze mirrors; he named his study after them. His most notable achievement is the invention of "Yi Zhi Tu", a Chinese tangram game. He followed principles in Yi, the Book of Changes, and Tai Ji to design 15 tiles with all kinds of shapes. They can be put together as a square; they can be separated and re-arranged into the shapes of flowers, birds, utensils, and especially Chinese characters. Using the 15 pieces game tiles, he successfully composed the shapes of the thousand Chinese characters in "Qian Zi Wen" compiled by Zhou, Xing-Si.

    Xie-Geng had five sons: Ang, who was chosen as an imperial inspector; Chang, with style name Zhong-Wen, very clever and bright, was good at literary composition, he passed the imperial examinations at the county level with high scores in 1882, died young; Yan; Sheng and Gao. There is a brief biography for Yan in this book.

    Tong, Yan, with style name Shu-Ping, was one of Xie-Geng's sons. He was good at painting flowers and birds. He had studied under Ren, Xun from Xiaoshan County. His painting skills improved further. The chrysanthemum he painted was extremely lifelike. He became mentally deranged after the death of his second elder brother Chang. He created very few artworks; among them the imitated ancient seals were well known. One of the famous ancient seal charts he imitated was "Xia Xiao Zheng, The 72 Seasons Seal Chart". His younger brother, Sheng, with style name Ji-Tai, was also good at calligraphy and painting, his seal inscription was excellent, obviously Sheng learned a lot from Yan.


     

    *  Go Down in History

     

    Following historical records about Tong, Da-Nian can be found in page 902, Volume 35, Personage "Chongming Historical Records" published by Shanghai People's Publishing House in March 1989.


    (47) Tong, Da-Nian (1873 - 1953)

    Tong, Da-Nian, his original name was Gao, with style name and literary name as Xin-An and its variants. Because he was the fifth son of Xie-Geng, he also called himself "Among the twelve peaks of Jin-Ao Mountain, the fifth kid under the pine". County town resident. One of the founding members of West Ling Inscription Society, renowned artist of seal inscription.

    His father and brothers were all good at inscription, calligraphy and painting. Tong started the study of these art forms since childhood, and inscribed his first seal at the age of eight. When he grew up, he went to Beijing and became an assistant to ranking officials. In 1895, he joined Hu-Ning Railroad. Since then, he worked for the railroad and Hu-Hang-Yong Railroad as well. In 1920, he resigned from the job because he was tired of business affairs and office politics. He made his living as an artist of seal inscription, calligraphy and painting. In early 1930's, he was back in public office for over a year as the secretary of the civil administration of Jiangsu Province after he accepted the invitation from Hu, Pu-An, a close friend of his. After January 28, 1932, he moved his family to Hangzhou. After August 13, 1937, he and entire his family sought refuge in Hu, Pu-An's house in Shanghai. He went back to Hangzhou in 1948, and lived there till he died.

    Tong's inscription activities have following stages: In his early years, he devoted himself to the study of ancient seals of Qin and Han Dynasties (221 B.C. - A.D. 220), each seal that he imitated, can pass for an authentic; later he followed the schools of thoughts of Zhe and Wan, he admired Zhao, Zhi-Qian the most, and had in-depth study of Zhao's work. After his middle age, he had incisive study of the ancient Chinese characters that were inscribed on bones, tortoise shells of Shang Dynasty(c. 16th-11th century B.C.). In his remaining years, he was deeply engrossed in the research of the inscription on ancient bowls, tripods and quadripods. The seals inscribed by Tong, were all abundantly spirit-resonant, with his own style. Within inches, he presented a scene in all its variety. He was quite famous among the inscription artists nation-wide. When Tong inscribed seals, he was good at applying clashing cuts, each such cut was crisp with ease and verve; his carving cuts show the hand of a master. Among his artworks, "Settle Down When Feel at Ease", "With High Proficiency", these seals are simple and unsophisticated, refined and elegant.

    Tong was good at calligraphy, especially in styles of Zhuan and Li. In 1933, he wrote the antithetical couplet: "West Ling Inscription Is a Millenarian Glorious Society, East Han Stones Were the Triple Old Tablets."; the brush movement is vigorous and powerful; it can be seen on the stone pillars of Three Old Men's Stone House inside the compound of West Ling Inscription Society. Tong loved Wa-dang (eaves tiles), and applied the Wa-dang style into his seals. Such works have a distinctive flavor. One of them is "Forget-me-not", the composition is simple and unsophisticated, the cuts are powerful and vigorous. Tong was also good at flower painting, especially plum blossom. His books include "Mr. Tong, the Kid's Inscription" and others.


     

    *  Noble Character and Sterling Integrity

     

    According to Prof. Lin, Qian-Liang in his book "The Celebrities of West Ling", in 1899, Tong, Da-Nian and Huang, Shan-Shou from Wujin County, went to Tianjin seeking official posts. They worked as assistants on the staff of Ha, Da-Rui and Wen, Shao-Ru. In 1900, the governor of Zhili Province asked Ha to introduce Tong to join his staff. Tong did not want to associate with such evil person. He resigned his post and returned to Southern China along with Huang, Shan-Shou. They experienced all kinds of difficulties during this journey. When they got home, Huang painted "Retired from political life, and live in seclusion among Ao Mountains" and sent this painting as a gift to Tong. Da-Nian composed a poem and wrote on the painting as following: "I left in a hurry amid the beats of war drums, I would rather die than serving the evils. From now on I live in seclusion among Ao Mountains, no more inquires from dukes and princes." The strength of Tong's character affects all his admirers.


     

    *  Classified Ad

     

    In the same book, Prof. Lin mentioned that in September 1934, there was a classified ad posted by a few friends of Tong, Da-Nian on the first issue of "Seal Inscription, Calligraphy and Paintings", the art supplement of "Southeast Daily News":


    Mr. Tong, Xin-Kan, also known as Da-Nian, is good at calligraphy in the styles of Zhuan and Li, as well as seal inscription. He is well-known throughout the country after 50 years of art practice. Recently Mr. Tong lives in Wuling, in his spare time, he enjoys the study of the art of inscription. For those who admire Mr. Tong's artwork, please contact local galleries and West Ling Inscription Society, or send your inquiries directly to his residence at 60 Binguan Lane, Old Fanshu, Hangzhou. Remuneration schedule will be available upon request. By Zuo, Shi-Lu; Xiang, Lan-Sheng; Yu, Yue-Yuan; Chen, Bo-Heng; Gao, Ye-Hou; Sao, Pei-Zi.

    Brief Summary: Tangfu 6 Chi 12 Yuan, 5 Chi 10 Yuan, 3 or 4 Chi 8 Yuan. Pingtiao half the price. Yinglian 6 Chi 8 Yuan, 5 Chi 6 Yuan, 3 or 4 Chi 5 Yuan. Fan or book cover 4 Yuan. Stone seal, every character cut in relief 2 Yuan, every character cut in intaglio 1.5 Yuan, ivory seal double the price, ink fee extra 20%.


     

     

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    *  Inside This Page

    [Splendid Family Heritage]

    [Go Down in History]

    [Noble Character and Sterling Integrity]

    [Classified Ad]

     

    *  Other Articles About Tong Da-Nian

    [Venerable Old Master in West Ling, Tong's Legend Since Childhood]

    [Endowed by Nature: Mr. Tong’s Inscriptions on Bronzes and Stones]

    [Reminiscences of Our Father: Tong Da-Nian]

    [Editorial Afterword]

     


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